Posts Tagged ‘twloha’
Shake
Posted on: October 19, 2011
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This is for the fat girls.
This is for the little brothers.
This is for the school-yard wimps, and the childhood bullies who tormented them.
This is for the former prom queen, and for the milk-crate ball players.
This is for the night time cereal eaters and for the retired, elderly Wal-Mart store front door greeters. Shake the dust.
This is for the benches and the people sitting upon them,
for the bus drivers driving a million broken hymns,
for the men who have to hold down three jobs simply to hold up their children,
for the nighttime schoolers and the midnight bike riders trying to fly.
Shake the dust.
This is for the two-year-olds who cannot be understood because they speak half-English and half-God. Shake the dust.
For the girls with the brothers who are going crazy,
for those gym class wall flowers and the twelve-year-olds afraid of taking public showers,
for the kid who’s always late to class because he forgets the combination to his lockers,
for the girl who loves somebody else.
Shake the dust.
This is for the hard men, who want to love but know that is won’t come.
For the ones the amendments do not stand up for.
For the ones who are forgotten.
For the ones who are told to speak only when you are spoken to,
and then are never spoken to.
Speak every time you stand so you do not forget yourself.
Do not let one moment go by that doesn’t remind you that your heart beats 100,000 times a day and that there are enough gallons of blood to make every one of you oceans.
Do not settle for letting these waves settle and the dust to collect in your veins.
This is for the celibate pedophile who keeps on struggling,
for the poetry teachers and for the people who go on vacations alone.
For the sweat that drips off of Mick Jaggers’ singing lips,
and for the shaking skirt on Tina Turner’s shaking hips.
For the heavens and for the hells through which Tina has lived.
This is for the tired and for the dreamers and for those families who’ll never be like the Cleavers,
with perfectly made dinners and sons like Wally and the Beaver.
This is for the biggots,
for the sexists,
for the killers.
This is for the big house, jail-sentenced cats becoming redeemers.
And for the springtime that somehow seems to show up after every single winter.
This is for you.
This is for you.
Make sure that by the time fisherman returns you are gone.
Because just like the days, I burn at both ends,
and every time I write, every time I open my eyes,
I am cutting out parts of myself, just to give them to you.
So shake the dust and take me with you when you do,
for none of this has never been for me.
All that pushes and pulls, pushes and pulls,
it pushes for you.
So grab this world by its clothes-pins and shake it out again and again and jump on top and take it for a spin.
And when you hop off,
shake it again,
for this is yours.
Make my words worth something,
make this more than just another poem that I write,
more than just another night that sits heavy above us all.
Walk into it.
Breathe it in.
Let is crash through the halls of your arms,
like the millions of years of millions of poets coursing like blood,
pumping and pushing,
making you live.
Shaking the dust.
So when the world knocks at your front door,
clutch the knob and open on up,
running forward into its widespread greeting arms with your hands infront of you,
fingertips trembling,
though they may be.
© Anis Mojgani
(Heavy & Light TWLOHA)
Things I like [2]
Posted on: August 5, 2011
“Love is the movement, Hope is my hero” -> that’s been my status on whatsApp, skype and GTalk for forever…and it has also featured on BBM, Twitter, and Facebook.
“Love is the movement” is from TWLOHA, which i’ve written about on this site before.
“Hope is my hero” is from hopeismyhero.com, which was launched this week on Monday.
Their tag line -> More Love. More Music…two of my favorite things. How could I not love it right. And I’ve also written a post on the word HOPE, seeing as it’s not only my name, but it is probably my favorite word and the characteristic I most long to embody throughout my life – along with love. I mean, just check out the name of this blog.
Anyway, HIMH “is an alternative bilingual clothing brand that is grounded deep in the heart of the South African music scene”, according to their site. The label was started by JP Erusmas, drummer of Bright Blue City (you might recall me talking about his awesome tats if you read my music blog).
I dig their stuff. I also dig what the label is built upon. Check out what’s it’s about here.
So anyway, if you wanna be my best friend forever, please buy me the black “More Love More Music” t-shirt
and a wristband as well.
Thanks.
And you’re welcome
Reads of the week 15
Posted on: November 14, 2009
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blogs of the week
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This can’t be real (Stuff Christians Like – Jon Acuff – @prodigaljohn)
and the follow up
30000 in 18 hours (Stuff Christians Like – Jon Acuff – @prodigaljohn)
and another follow up
Let’s build a 2nd kindergarden (Stuff Christians Like – Jon Acuff – @prodigaljohn)
just cos God is um-mazingly AWESOME
Stop complaining and start a revolution (My Experience As A Youth Pastor – Nick “The Geek” Croft – @puricristos)
new find of the week
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Sunday Stage (In Recovery – Sean Tucker – @seantuck)
My lament (In Recovery – Sean Tucker – @seantuck)
site of the week
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i wrote this for you
song of the week
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The way she feels by Between the trees
To Write Love On Her Arms
Posted on: November 13, 2009
Today is international twloha day…basically to show your support for this cause you just write the word love on your arm for the day…whe people ask you why, you tell them this story:
=====================================
Friday, April 18, 2008
READ THE STORY HERE.
TO WRITE LOVE ON HER ARMS.
by jamie tworkowski
Pedro the Lion is loud in the speakers, and the city waits just outside our open windows. She sits and sings, legs crossed in the passenger seat, her pretty voice hiding in the volume. Music is a safe place and Pedro is her favorite. It hits me that she won’t see this skyline for several weeks, and we will be without her. I lean forward, knowing this will be written, and I ask what she’d say if her story had an audience. She smiles. “Tell them to look up. Tell them to remember the stars.”
I would rather write her a song, because songs don’t wait to resolve, and because songs mean so much to her. Stories wait for endings, but songs are brave things bold enough to sing when all they know is darkness. These words, like most words, will be written next to midnight, between hurricane and harbor, as both claim to save her.
Renee is 19. When I meet her, cocaine is fresh in her system. She hasn’t slept in 36 hours and she won’t for another 24. It is a familiar blur of coke, pot, pills and alcohol. She has agreed to meet us, to listen and to let us pray. We ask Renee to come with us, to leave this broken night. She says she’ll go to rehab tomorrow, but she isn’t ready now. It is too great a change. We pray and say goodbye and it is hard to leave without her.
She has known such great pain; haunted dreams as a child, the near-constant presence of evil ever since. She has felt the touch of awful naked men, battled depression and addiction, and attempted suicide. Her arms remember razor blades, fifty scars that speak of self-inflicted wounds. Six hours after I meet her, she is feeling trapped, two groups of “friends” offering opposite ideas. Everyone is asleep. The sun is rising. She drinks long from a bottle of liquor, takes a razor blade from the table and locks herself in the bathroom. She cuts herself, using the blade to write “FUCK UP” large across her left forearm.
The nurse at the treatment center finds the wound several hours later. The center has no detox, names her too great a risk, and does not accept her. For the next five days, she is ours to love. We become her hospital and the possibility of healing fills our living room with life. It is unspoken and there are only a few of us, but we will be her church, the body of Christ coming alive to meet her needs, to write love on her arms.
She is full of contrast, more alive and closer to death than anyone I’ve known, like a Johnny Cash song or some theatre star. She owns attitude and humor beyond her 19 years, and when she tells me her story, she is humble and quiet and kind, shaped by the pain of a hundred lifetimes. I sit privileged but breaking as she shares. Her life has been so dark yet there is some soft hope in her words, and on consecutive evenings, I watch the prettiest girls in the room tell her that she’s beautiful. I think it’s God reminding her.
I’ve never walked this road, but I decide that if we’re going to run a five-day rehab, it is going to be the coolest in the country. It is going to be rock and roll. We start with the basics; lots of fun, too much Starbucks and way too many cigarettes.
Thursday night she is in the balcony for Band Marino, Orlando’s finest. They are indie-folk-fabulous, a movement disguised as a circus. She loves them and she smiles when I point out the A&R man from Atlantic Europe, in town from London just to catch this show.
She is in good seats when the Magic beat the Sonics the next night, screaming like a lifelong fan with every Dwight Howard dunk. On the way home, we stop for more coffee and books, Blue Like Jazz and (Anne Lamott’s) Travelling Mercies.
On Saturday, the Taste of Chaos tour is in town and I’m not even sure we can get in, but doors do open and minutes after parking, we are on stage for Thrice, one of her favorite bands. She stands ten feet from the drummer, smiling constantly. It is a bright moment there in the music, as light and rain collide above the stage. It feels like healing. It is certainly hope.
Sunday night is church and many gather after the service to pray for Renee, this her last night before entering rehab. Some are strangers but all are friends tonight. The prayers move from broken to bold, all encouraging. We’re talking to God but I think as much, we’re talking to her, telling her she’s loved, saying she does not go alone. One among us knows her best. Ryan sits in the corner strumming an acoustic guitar, singing songs she’s inspired.
After church our house fills with friends, there for a few more moments before goodbye. Everyone has some gift for her, some note or hug or piece of encouragement. She pulls me aside and tells me she would like to give me something. I smile surprised, wondering what it could be. We walk through the crowded living room, to the garage and her stuff.
She hands me her last razor blade, tells me it is the one she used to cut her arm and her last lines of cocaine five nights before. She’s had it with her ever since, shares that tonight will be the hardest night and she shouldn’t have it. I hold it carefully, thank her and know instantly that this moment, this gift, will stay with me. It hits me to wonder if this great feeling is what Christ knows when we surrender our broken hearts, when we trade death for life.
As we arrive at the treatment center, she finishes: “The stars are always there but we miss them in the dirt and clouds. We miss them in the storms. Tell them to remember hope. We have hope.”
I have watched life come back to her, and it has been a privilege. When our time with her began, someone suggested shifts but that is the language of business. Love is something better. I have been challenged and changed, reminded that love is that simple answer to so many of our hardest questions. Don Miller says we’re called to hold our hands against the wounds of a broken world, to stop the bleeding. I agree so greatly.
We often ask God to show up. We pray prayers of rescue. Perhaps God would ask us to be that rescue, to be His body, to move for things that matter. He is not invisible when we come alive. I might be simple but more and more, I believe God works in love, speaks in love, is revealed in our love. I have seen that this week and honestly, it has been simple: Take a broken girl, treat her like a famous princess, give her the best seats in the house. Buy her coffee and cigarettes for the coming down, books and bathroom things for the days ahead. Tell her something true when all she’s known are lies. Tell her God loves her. Tell her about forgiveness, the possibility of freedom, tell her she was made to dance in white dresses. All these things are true.
We are only asked to love, to offer hope to the many hopeless. We don’t get to choose all the endings, but we are asked to play the rescuers. We won’t solve all mysteries and our hearts will certainly break in such a vulnerable life, but it is the best way. We were made to be lovers bold in broken places, pouring ourselves out again and again until we’re called home.
I have learned so much in one week with one brave girl. She is alive now, in the patience and safety of rehab, covered in marks of madness but choosing to believe that God makes things new, that He meant hope and healing in the stars. She would ask you to remember.
Currently listening:
Nothing Left to Lose
By Mat Kearney
Release date: 18 April, 2006
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[copied from http://www.myspace.com/towriteloveonherarms blog]
The way she feels
Posted on: November 9, 2009
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In honour of To Write Love On Her Arms Day happening this Friday, November 13th, 2009
====================
Title: The Way She Feels
Artist: Between the Trees
Album: The Story and the Song
Year: 2006
She’s upset
Bad day
Heads for the dresser drawer
To drive her pain away.
Nothing good can come of this.
She opens it,
There’s nothing there
There is only left over tears.
Mom and dad had no right she screams
The anger runs down both of her cheeks.
Then she closed her eyes
And found relief in a knife
The blood flows as she cries.
All alone the way she feels
Left alone to deal with all the pain-drenched sorrow relief
Bite the lip just forget the bleeding.
Then she closed her eyes
And found relief in a knife
The blood flows as she cries
Wooah oh
Then she closed her eyes
And found relief in a knife
The blood flows as she cries.
Curled up,
She’s on the floor.
The relief left her…
She had hoped for something more
From it (Hoped for something more)
From it
And he leans down to comfort her
She is weeping
And He
Wraps His arms around
And around and around and…
The deeper you cut
The deeper I hurt
The deeper you cut
It only gets worse
The deeper you cut
The deeper I hurt
The deeper you cut
It only gets worse
Gets worse.
Now she’s slowly opening…
Yeah, slowly opening
New eyes…
Then she opened her eyes
And found relief in His life
And put down her knives
Wooah oh
Then she opened her life
And found relief through His eyes
And put down
She put down,
Her knife.
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